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Interview with Trace Adkins

Trace Adkins continues to conquer new worlds. He has long been country music’s alpha male, a man whose commanding presence and once-in-a-generation baritone have made him a pillar of the contemporary Nashville sound. But such are his other gifts—a restless intellect, wide-ranging interests, great ability as a communicator — that it was perhaps inevitable that his influence would spread well beyond the bounds of the genre.

Ch.L.: You have a new CD, Cowboy’s Back In Town. How did you choose the title for the CD, is there a story behind it?

Trace Adkins: It was one of the key tracks that leant itself to being the title of the album. It represented the renewed energy and commitment I feel to this album.

Ch.L.: How do you go about finding the songs for the CD?

Trace Adkins: I have lots of friends in Nashville who write songs and they know what I like, they are some of the best writers in the world. They know who I am and what I want to say. I also write my own songs depending on the time I have to do it. I also listen to songs and change the lyrics to suite me. It all depends on the album each one is different.

Ch.L.: Please tell us about the songs on your album.

Trace Adkins: On this album I wasn’t keen on a ballad but my friend Jeff Bates had just his  first child and he wanted to put in writing his conditional love for the child and wrote the song  Still Love You. Break Her Fall talks about becoming a man and how a girl helps him to change

Ch.L.: What’s the difference between your last CD and the current one?

Trace Adkins: Not a lot, although I changed labels in between I feel that I haven’t changed and neither has my music

Ch.L.: Your current single is being played by radio. What do you thing is specail about this song that makes people what to hear it?

Trace Adkins: I suppose the absurdity of it, this guy keeps on telling his girlfriend that it isn’t a love song when really it is!.

Ch.L.: What will your next single be?

Trace Adkins:I am not sure at the moment

CL.: What’s your favorite song among all the songs you’ve recorded and what’s the story behind it?

Trace Adkins: Honky Tonk Badonkadonk. There are “Bandonkadonk people” and there are “Every Light in the House people”. The first group, love  “Honky Tonk Badonkadonk”, and respond mostly to his songs that are big, bold, witty, fun. The second group love my earlier hits, these people love the way a song can more deliberately present itself over a course of three and a half intense minutes soaked in styalistic varieties of country music traditions. But Badonkadonk people and Every Light people usually get along fine.

Ch.L.: What do you think about today’s Country Music versus its roots and where do you see it going in the future?

Trace Adkins: It has changed so much. Country music stations can play pop and rock as well as traditional country, it is much more diverse . you have as an artist freedom to do what you want to do rather than having to work within a specific box.

Ch.L.: In your opinion, what is the biggest difference between „traditional“ and „new“ country music?

Trace Adkins: Traditional is stripped down to a 5 piece band, with steel guitar and fiddle, this has now all changed to fit with the marketplace.

Ch.L.: What inspired you to become an artist?

Trace Adkins: It was a hobby that got horridly out of control. Its great that a passion can turn into your career

Ch.L.: What moments in your career stand out in your memory as highlights and achievements which you’re proud of?

Trace Adkins: I was made a member of the grand ole Opry was a main highlight which meant I have sung alongside such legends as Merle Haggard and George Jones. Other highlights include obviously my number ones and platinum record sales

Ch.L.: Fans are always hungry for good road stories. Do you have one you can tell?

Trace Adkins: I was in my hotel room and just had a shower and went to my bag to get my underwear on and found for some reason there was a tear in it, so I thought nothing more about it and put them in the bin. You can imagine to my horror when I was checking out when the girl behind the desk said Mr Adkins could you please give me your autograph and handed me my own underwear to sign!

Christian Lamitschka ( )



TRACE ADKINS continues to conquer new worlds. He has long been country music’s alpha male, a man whose commanding presence and once-in-a-generation baritone have made him a pillar of the contemporary Nashville sound. But such are his other gifts—a restless intellect, wide-ranging interests, great ability as a communicator — that it was perhaps inevitable that his influence would spread well beyond the bounds of the genre.

In the past decade, Trace has made his mark as an actor, both on television and in the movies, an author, a voiceover artist and commercial spokesman, a social commentator, and a reality show participant. His effect on businessman and showman Donald Trump was such that after his initial and highly successful appearance on Celebrity Apprentice, he was invited back as a boardroom advisor. He has turned his entertainingly articulated views into a well-received book, A Personal Stand: Observations and Opinions from a Freethinking Roughneck, and has even inspired an action comic book series, Luke McBain, that has proven to be one of the genre’s hottest sellers.

“I guess it’s that I’m not afraid to get outside my comfort zone and try new things,” he says, adding, “I never do them just for what I consider the commercial value. I choose things I enjoy doing.”

The obvious relish Trace brings to everything from talk show appearances to movie roles has made him one of the most widely visible of country’s top-tier entertainers, and provides just the right counterpoint to the bottom line—his growing reputation as one of country’s all-time greats.

The breadth and depth of his catalog points to the diversity and complexity of his musical approach and of his personality. He is the man who gave us one of modern-day country’s rowdiest classics, “Honky Tonk Badonkadonk,” and one of its most touching, “You’re Gonna Miss This,” which earned two of his four Grammy nominations, became his third chart-topping hit, and was named the ACM’s Single of the Year. He is equally convincing across a musical spectrum that stretches from “Hot Mama” to “Songs About Me,” from “(This Ain’t No) Thinkin’ Thing” to “Then They Do.”

With the release of his latest, Cowboy’s Back In Town, Trace launches a new chapter in one of the genre’s most storied careers. Musically, he shows himself to be at the top of his game. The mix is classic Trace, with “Still Love You” serving as the anchor of the tender side, bringing that national treasure of a voice to bear on a declaration of eternal love in a first-rate meeting of sound and sentiment. On the other side, songs like “I Can Do That” and “Hold My Beer” find Trace bringing to life good-old-boy tales about the entertainment world and weddings, respectively. In fact, if the album leans in one direction, it would be toward that rowdy side.

“This is an album that has a smile on it,” says Trace’s friend, touring partner, and now label mate and label owner, Toby Keith. Their partnership took root during last year’s “America’s Toughest Tour,” which saw the pair barnstorm through 29 cities, renewing their friendship and gaining fresh appreciation for each other’s musical approaches. When Toby’s Show Dog label merged with Universal Music, Trace expressed interest and Toby eagerly asked him to come aboard.

“This label is about getting the job done,” says Trace, “but it’s also about having fun in the process, and that’s why we get into music in the first place.”

It was a natural step for Trace and Toby to continue touring together.

“We come from very similar backgrounds,” says Trace. “We both worked in the oil fields and we played a lot of the same clubs on the Southwest circuit. We’re both pretty independent and don’t mind speaking our minds, and there seems to be a lot of crossover among our fans. It’s good for everybody and it just adds to the excitement around this whole new chapter in my professional life.”

That sense of excitement is certainly reflected in the work Trace has done with producers Michael Knox and Kenny Beard, drawing on songs from writers who have penned many of his hits—Casey Beathard, Tony Lane and Beard, among others. Lane, Marcel, and David Lee provided the CD’s first single, “This Ain’t No Love Song.”

“I’ve always been a huge Tony Lane fan,” says Trace. “I’ve cut a half dozen or so of his songs over my career. This song is just so cleverly written, about a guy trying to convince a girl the song is not about her when she and he knows it is but he’s not going to admit it. It was a no-brainer.”

Trace himself wrote the title track with Beard and another good friend, Jeff Bates.

“They were on the bus with me and we pulled up to a fairground in Iowa and I looked out and realized I had been there before.’Cowboy’s back in town,’ I said, and we started writing it and finished it that night. I remember we did the work tape going down the highway in the front lounge of the bus.”

In addition to the traditional CD release, Cowboy’s Back In Town is being released in a deluxe version featuring four additional tracks, offering Trace’s fans the opportunity to dig even deeper into his music.

Its obvious Trace has lost none of the enjoyment of the creative process that took him into music in the first place. A native of Sarepta, Louisiana, he worked as a pipe fitter on an offshore drilling rig and spent time in a gospel quartet before making a name for himself in the honky-tonks of Texas and Louisiana. He moved to Nashville in 1992 and did construction work while he sang at night and looked for his break. It came when then-Capitol Records president Scott Hendricks spotted him playing in a workingman’s bar and signed him. Trace’s one-of-a-kind voice and his knack for bringing believability to every song did the rest.

His first album, the platinum Dreamin’ Out Loud, produced three Top 3 hits, including his first #1, “Thinkin’ Thing.” More than twenty of his singles would hit the Top 20 and give him the platform from which everything else would flow.

His videos have been fan-voted Top Video of the Year three times on GAC, and “Honky-Tonk Badonkadonk” was voted #2 Video of the Decade by CMT. Trace became a member of the Grand Ole Opry in 2003, has been a guest on virtually every talk show on national television, and is currently celebrity spokesman for BC Headache Powder. He teamed with his friend Blake Shelton on the latter’s recent single, “Hillbilly Bone,” which went to the top of the charts and was named ACM Vocal Event of the Year, and, to top it all off, he was voted Country’s Sexiest Man by the readers of Country Weekly.

As his visibility increased, Trace was able to expand any number of heartfelt charitable and patriotic efforts. His initial appearance on Celebrity Apprentice was prompted by the opportunity it gave him to raise money for the Food Allergy and Anaphylaxis Network. He is a spokesman for the Wounded Warrior Project, an organization helping severely wounded veterans, and was given the group’s Community Service award recently. He has performed frequently for military personnel, including two tours through the Middle East with the USO, which has given him its Merit Award. Trace has taken part in an Extreme Makeover: Home Edition episode that rebuilt a home for a Dallas SWAT team member badly injured in a shooting, and he performed recently in honor of those who died on United Airline’s Flight 93 in Pennsylvania on 9/11. That dedication to worthwhile causes, led Country Radio Broadcasters to give Trace their Artist Humanitarian Award in 2010.

At his core, Trace remains first and foremost a musician dedicated to making the best music he can—as enjoyably as possible.

“You can’t have any more fun than going into the studio and making records with your friends,” he says, “and that’s what I did with Cowboy’s Back In Town. I think that shows in the way it sounds.”

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